A hooded man tied to a chair. A dead dog by the side of the road. A pair of bickering interrogators. These are the disturbing ingredients that form Pink Confetti. Loyalty is questioned and humanity laid bare in Paul Roberts’ dark new play, set in a Belfast safe house in 1973. When personal beliefs and political loyalties combine, the consequences can be toxic.
Please arrive on time as latecomers may not be admitted.
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